Talking To The Screen
Mulholland Dr :2001
David Lynch's latest opus, 'Mulholland Dr.' has received much critical notice, mostly for being notably surreal and obtuse. (Additionally, it was the only film this year nominated for an Academy Award for Best Director but not Best Picture.) Many reviews I have read pose the question, "Do you have to understand a movie to enjoy it?" Well no, but it helps. 'Mulholland Dr.' is a very enjoyable and accessible movie while being (at first viewing) beyond comprehension. Lynch's characters are reminiscent of those from 'Twin Peaks' in their sinister caricatures. These signature Lynch-ian weirdoes are acted extremely well. (Particularly watch for Naomi Watts.) He employs some obvious visual symbols whose meaning is notably elusive: The blue box in particular. Any comments I make here concerning the more tangible, standard aspects of filmmaking while relevant, should be put on a back burner to the plot, and film as a whole. Lynch is technically excellent in this film, but his genius is nowhere as evident than in his capacity to engage a viewer into a world that he or she does not understand. I haven't heard of anyone who has been comfortable with his or her interpretation of 'Mulholland Dr.' after only one viewing. "Do you have to understand a movie to enjoy it?" This is perhaps better stated as "Should modern film making be so transparent to make all analysis tautology?" This year in modern Hollywood film the only other picture which even comes close to touching the richness and depth of 'Mulholland Dr.' is 'Memento'. Only two of hundreds of Hollywood produced pictures have fully executed an artistic composition in the media of film. Embarrassing. 'Mulholland Dr.' (while not an 'art flick') is a piece of art, and available to all the intellectual analysis that literature, and the fine arts are granted. Watch 'Mulholland Dr.' with a group of people whose opinions you respect, then talk about it (or exchange emails).